Relationship Spread #1
Difficulty: Easy
This spread is easy to read, like a convenient chart. In this spread, court cards generally indicate actual people with the same characteristics. Knights (or corresponding Princes, but not Kings) and Queens are meant to represent actual men and women in this tarot spread. Look for patterns in the cards as always.
Card #1 is the overall significator of the relationship. The 2 columns on either side of the significator characterize each individual’s role in the relationship. The relationship does not have to be romantic. In fact it could be a relationship between a person and a group, or even how 2 groups relate.
The top row, cards #7 & 2, shows the conscious thoughts of each person, or what they think about the relationship and likewise how they view their partner.
The middle row, cards #6 & 3, shows the way each individual feels about the other. Emotional awareness corresponds to a person’s unconscious thoughts that run deep, effecting a person in ways he or she is not fully aware of.
The bottom row, cards #5 & 4, represents the way each person behaves, in other words the stance taken regarding the relationship. The way a person acts may be genuine, but sometimes people are phony and manipulative, so it is best to weigh this card against your partner’s other cards to determine if they match up.
Your Relationship Reading #1 with the Thoth Tarot
You |
Other Person |
||
Thought |
 3 of Swords |
 7 of Cups |
|
Emotion |
 9 of Cups |
The Significator  Lust |
 2 of Disks |
External Stance |
 Princess of Wands |
 Ace of Swords |
The Significator
Lust
Leo
Courage, strength, energy and action, une grande passion; resort to magick, the use of magical power.
The Querent's Thoughts
3 of Swords
Saturn in Libra – Sorrow
This card is dark and heavy; it is, so to speak, the womb of Chaos. There is an intense lurking passion to create, but its children are monsters. This may mean the supreme transcendence of the natural order. Secrecy is here, and Perversion.
The symbol represents the great Sword of the Magician, point uppermost; it cuts the junction of two short curved swords. The impact has destroyed the rose. In the background, storm broods under implacable night.
The Other Person's Thoughts
7 of Cups
Venus in Scorpio – Debauch
This card refers to the Seven, Netzach, in the suit of Water. Here recurs the invariable weakness arising from lack of balance; also, the card is governed by Venus in Scorpio. Her dignity is not good in this Sign; one is reminded that Venus is the planet of Copper, 'external splendour and internal corruption'. The Lotuses have become poisonous, looking like tiger-lilies; and, instead of water, green slime issues from them and overflows, making the Sea a malarious morass. It is a wholesome reminder of the fatal ease with which a Sacrament may be profaned and prostituted.
The Querent's Emotions
9 of Cups
Jupiter in Pisces – Happiness
The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water.
In this card is the pageant of the culmination and perfection of the original force of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.
The Other Person's Emotions
2 of Disks
Jupiter in Capricorn – Change
The number Two, Chokmah, here rules in the suit pertaining to Earth. It shows the type of Energy appropriate to Two, in its most fixed form. According to the doctrine that Change is the support of stability, the card is called Change.
The card represents two Pantacles, one above the other; they are the Chinese symbols of the Yang and Yin duplicated as in the Hsiang. One wheel is dextro- and the other laevo-rotatory. They thus represent the harmonious interplay of the Four Elements in constant movement. One may in fact consider the card as the picture of the complete manifested Universe, in respect of its dynamics.
The Querent's External Stance
Princess of Wands
The Princess of Wands represents the earthy part of Fire; one might say, she is the fuel of Fire. This expression implies the irresistible chemical attraction of the combustible substance. The Princess is therefore shewn with the plumes of justice streaming like flames from her brow; and she is unclothed, shewing that chemical action can only take place when the element is perfectly free to combine with its partner.
This card may be said to represent the dance of the virgin priestess of the Lords of Fire, for she is in attendance upon the golden altar ornamented with rams' heads) symbolising the fires of Spring. The character of the Princess is extremely individual. She is brilliant and daring. She creates her own beauty by her essential vigour and energy. The force of her character imposes the impression of beauty upon the beholder. In anger or love she is sudden, violent, and implacable. She consumes all that comes into her sphere. She is ambitious and aspiring, full of enthusiasm which is often irrational. She never forgets an injury, and the only quality of patience to be found in her is the patience with which she lies in ambush to avenge.
The Other Person's External Stance
Ace of Swords
The Root of Air
The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.
In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.
