Game Plan Spread

Difficulty: Easy

When you have a certain plan in mind, this simple 5-card spread presents a choice, hinting at what action or attitude should be taken for your plan to succeed, and what should be avoided in order to help your plan work out for the best.

The initial card is laid in the center of the layout, the significator. The following 4 cards are laid out clockwise around the significator.

In this spread, the second card shows what drives you, but also says you are not fully conscious of this, perhaps even completely unaware of it. It gives you a hint as to the reason that you strive for your goal.

The third card shows what others think of you and your goals. You may or may not be aware of this. Sometimes other people factor into your plans, and sometimes they don’t.

The fourth card shows what you should not do. If things are permitted to go down this path, your plan will collapse.

The fifth card is a hint as to how to make your plan work out favorably. The idea that this card presents should be followed in order to make your plan a success. It is the differences between Cards #4 and #5 that should be noted, as the differences provide the clues you need.

Your Game Plan Reading

Unconscious Drive Prince of Swords		External Influences The Tower
	Significator Princess of Swords
How it Will Succeed Knight of Cups		How it Will Not Succeed Prince of Cups

The Princess of Swords represents the earthy part of Air, the fixation of the volatile. She brings about the materialisation of Idea. She represents the influence of Heaven upon Earth. She represents to some extent the anger of the Gods, and she appears helmed, with serpent-haired Medusa for her crest. She stands in front of a barren altar as if to avenge its profanation, and she stabs downward with her sword. The heaven and the clouds, which are her home, seem angry.

The character of the Princess is stern and revengeful. Her logic is destructive. She is firm and aggressive, with great practical wisdom and subtlety in material things. She shews great cleverness and dexterity in the management of practical affairs, especially where they are of a controversial nature. She is very adroit in the settlement of controversies.

Aquarius

This card represents the airy part of Air. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.

The operation of his logical mental processes has reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys. A person thus symbolised is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.

Mars

Break down the fortress of thine Individual Self, that thy Truth may spring free from the ruins.

Quarrel, combat, danger, ruin, destruction of plans, sudden death, escape from prison.

Scorpio

The Prince of Cups represents the airy part of Water. On the one hand, elasticity, volatility, hydrostatic equilibrium; on the other hand, the catalytic faculty and the energy of steam. He is a warrior partly clad in armour, which seems, however, rather a growth than a covering. His helmet is surmounted by an eagle, and his chariot, which resembles a shell, is also drawn by an eagle. His wings are tenuous, almost of gas. This is a reference to his power of volatilisation understood in the spiritual sense. The whole symbolism of this card is exceedingly complicated, for Scorpio is the most mysterious of the Signs, and the manifested portion of it symbolised by the eagle is in reality the least important part of his nature.

The moral characteristics of the person pictured in this card are subtlety, secret violence, and craft. He is intensely secret, an artist in all his ways. On the surface he appears calm and imperturbable, but this is a mask of the most intense passion. He is on the surface susceptible to external influences, but he accepts them only to transmute them to the advantage of his secret designs. He is thus completely without conscience in the ordinary sense of the word, and is therefore usually distrusted by his neighbours. They feel they do not, and can never, understand him. Thus, he inspires unreasonable fear. He is in fact perfectly ruthless. He cares intensely for power, wisdom, and his own aims.

Pisces

The Knight of Cups represents the fiery part of Water, the swift passionate attack of rain and springs; more intimately, Water's power of solution. He is clothed in black armour furnished with bright wings which, together with the leaping attitude of his white charger, indicates that he represents the most active aspect of Water. In his right hand he bears a cup from which issues a crab, the cardinal sign of Water, for aggressiveness. His totem is the peacock, for one of the stigmata of water in its most active form is brilliance. There is here also some reference to the phenomena of fluorescence.

The characteristics of the person signified by this card are nevertheless mostly passive, in accordance with the Zodiacal attribution. He is graceful, dilettante, with the qualities of Venus, or a weak Jupiter. He is amiable in a passive way. He is quick to respond to attraction, and easily becomes enthusiastic under such stimulus; but he is not very enduring. He is exceedingly sensitive to external in fluence, but with no material depth in his character.