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Cross Spread

Cross Spread

 

 

Difficulty: Easy

The Cross Spread is good for questions asking for advice. It can also be used to determine the meaning of a confusing card from a previous reading, or for that matter, to shed light on other points of confusion as well.

In questions asking advice, this spread is self-explanatory. The main thing is to determine the difference between cards #2 and #3. #1 is the topic and #4 is the result.

In questions regarding confusion, such as: “What was the meaning of Card (X) in the last spread?” the main thing is also to determine the difference between cards #2 and #3. In this case, Card #2 will show what the card was not referring to, and Card #3 will show what the card really meant. #1 is the topic and #4 represents the purpose it serves.

 

 

 

 

 

 

 

 

Your Cross Reading

  DO This

4 of Cups
 
It Deals with This

Death
  Do NOT Do This

Knight of Cups
  It Leads to This

Ace of Swords
 

 

 

 

 

It Deals with This

Death

Scorpio

The Universe is Change; every Change is the effect of an Act of Love; all Acts of Love contain Pure Joy. Die daily. Death is the apex of one curve of the snake Life: behold all Opposites as necessary complements, and rejoice.

Transformation, change, voluntary or involuntary, in either case logical development of existing conditions, yet perhaps sudden and unexpected. Apparent death or destruction, but such interpretation is illusion.

 

 

 

 

Do NOT Do This

Knight of Cups

Pisces

The Knight of Cups represents the fiery part of Water, the swift passionate attack of rain and springs; more intimately, Water's power of solution. He is clothed in black armour furnished with bright wings which, together with the leaping attitude of his white charger, indicates that he represents the most active aspect of Water. In his right hand he bears a cup from which issues a crab, the cardinal sign of Water, for aggressiveness. His totem is the peacock, for one of the stigmata of water in its most active form is brilliance. There is here also some reference to the phenomena of fluorescence.

The characteristics of the person signified by this card are nevertheless mostly passive, in accordance with the Zodiacal attribution. He is graceful, dilettante, with the qualities of Venus, or a weak Jupiter. He is amiable in a passive way. He is quick to respond to attraction, and easily becomes enthusiastic under such stimulus; but he is not very enduring. He is exceedingly sensitive to external in fluence, but with no material depth in his character.

 

 

 

 

DO This

4 of Cups

Moon in Cancer – Luxury

This card refers to Chesed in the sphere of Water. Here, below the Abyss, the energy of this element, although ordered, balanced and (for the moment) stabilised, has lost the original purity of the conception. The card refers to the Moon in Cancer, which is her own house; but Cancer itself is so placed that this implies a certain weakness, an abandonment to desire. This tends to introduce the seeds of decay into the fruit of pleasure.

The sea is still shown, but its surface is ruffled, and the four Cups which stand upon it are no longer so stable. The Lotus from which the water Springs has a multiple stem, as if to show that the influence of the Dyad has gathered strength.

 

 

 

 

 

 

 

 

 

 

 

It Leads to This

Ace of Swords

The Root of Air

The Ace of Swords is the primordial Energy of Air, the Essence of the Vau of Tetragrammaton, the integration of the Ruach. Air is the result of the conjunction of Fire and Water; thus, it lacks the purity of its superiors in the male hierarchy, Fire, Sol and the Phallus. But for this same reason it is the first card directly to be apprehended by the normal consciousness of Mankind.

In nature, the obvious symbol of Air is the Wind 'which bloweth whithersoever it listeth'. It lacks the concentrated Will of Fire to unite with Water: it has no corresponding passion for its Twin Element, Earth. There is indeed, a notable passivity in its nature; evidently, it has no self-generated impulse. But, set in motion by its Father and Mother, its power is manifestly terrific. It visibly attacks its objective, as they, being of subtler and more tenuous character, can never do. Its 'all-embracing, all-wandering, all-penetrating, all-consuming' qualities have been described by many admirable writers, and its analogies are for the most part patent to quite ordinary observers.